When you add a camera to your inventory and start typing its name, the app suggests a match and automatically fills in all the specs below — sensor size, native ISO, codecs, mount type — so you never have to look up a spec sheet on set.

Camera	Sensor (mm)	Mount	Native ISO	Dyn. Range	Max Res	Max FPS	Codecs	Bit Depth	Media	Power
Pocket Cinema Camera Blackmagic Design	12.48 × 7.02 14.32 mm diag	MFT	800	13 stops	1080p	30	CinemaDNG, ProRes	12-bit	SD UHS-II	12 W
Pocket Cinema Camera 4K Blackmagic Design	18.96 × 10 21.44 mm diag	MFT	400 / 3200	13 stops	4K DCI	120	BRAW, ProRes, ProResRAW	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	18 W
Pocket Cinema Camera 6K Blackmagic Design	23.1 × 12.99 26.5 mm diag	Canon EF	400 / 3200	13 stops	6K	120	BRAW, ProRes	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	23 W
Pocket Cinema Camera 6K G2 Blackmagic Design	23.1 × 12.99 26.5 mm diag	Canon EF	400 / 3200	13 stops	6K	120	BRAW, ProRes	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	26 W
Pocket Cinema Camera 6K Pro Blackmagic Design	23.1 × 12.99 26.5 mm diag	Canon EF	400 / 3200	13 stops	6K	120	BRAW, ProRes	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	26 W
Cinema Camera 6K Blackmagic Design	36 × 24 43.27 mm diag	L-mount	400 / 3200	13 stops	6K (3:2)	120	BRAW	12-bit	CFexpress Type B, USB-C SSD	28 W
URSA Mini Pro 4.6K G2 Blackmagic Design	25.34 × 14.25 29.07 mm diag	Canon EF	400 / 3200	15 stops	4.6K	300	BRAW	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	45 W
URSA Mini Pro 12K Blackmagic Design	27.03 × 14.25 30.56 mm diag	PL	800	14 stops	12K DCI	240	BRAW	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	75 W
URSA Mini Pro 12K OLPF Blackmagic Design	27.03 × 14.25 30.56 mm diag	PL	800	14 stops	12K DCI	240	BRAW	12-bit	CFast 2.0, SD UHS-II, USB-C SSD	75 W
PYXIS 6K Blackmagic Design	36 × 24 43.27 mm diag	L-mount	400 / 3200	13 stops	6K (3:2)	120	BRAW	12-bit	CFexpress Type B, USB-C SSD	28 W
PYXIS 12K Blackmagic Design	35.64 × 23.32 42.59 mm diag	L-mount	800	16 stops	12K (3:2)	112	BRAW	12-bit	CFexpress Type B, USB-C SSD	80 W
URSA Cine 12K LF Blackmagic Design	35.64 × 23.32 42.59 mm diag	Canon EF	800	16 stops	12K (3:2)	240	BRAW	12-bit	CFexpress Type B, BMD Media Module	80 W
URSA Cine 17K 65 Blackmagic Design	50.81 × 23.32 55.91 mm diag	PL	800	16 stops	17K 2.2:1	170	BRAW	12-bit	BMD Media Module	150 W
URSA Broadcast G2 Blackmagic Design	23.1 × 12.99 26.5 mm diag	B4	400 / 3200	13 stops	UHD	150	BRAW, ProRes, H.265	12-bit	CFast 2.0, SD UHS‑II, USB-C SSD	55 W
Micro Studio Camera 4K G2 Blackmagic Design	17.78 × 10 20.4 mm diag	MFT	400 / 3200	13 stops	UHD	60	BRAW	12-bit	USB-C SSD	25 W
Studio Camera 6K Pro Blackmagic Design	23.1 × 12.99 26.5 mm diag	Canon EF	400 / 3200	13 stops	6K	60	BRAW	12-bit	USB-C SSD	59 W
Studio Camera 4K Pro G2 Blackmagic Design	17.78 × 10 20.4 mm diag	MFT	400 / 3200	13 stops	UHD	60	BRAW	12-bit	USB-C SSD	46 W
Studio Camera 4K Plus G2 Blackmagic Design	17.78 × 10 20.4 mm diag	MFT	400 / 3200	13 stops	UHD	60	BRAW	12-bit	USB-C SSD	22 W
KOMODO (DSMC3) RED	27.03 × 14.26 30.56 mm diag	Canon RF	800	16 stops	6K DCI	120	REDCODE RAW, ProRes	16-bit	CFast 2.0	45 W
KOMODO-X (DSMC3) RED	27.03 × 14.26 30.56 mm diag	Canon RF	800	16.5 stops	6K DCI	240	REDCODE RAW, ProRes	16-bit	CFexpress Type B	55 W
SCARLET-W 5K (DSMC2) RED	25.6 × 13.5 28.94 mm diag	Canon EF	800	16.5 stops	5K DCI	300	REDCODE RAW, ProRes, DNxHR, DNxHD	16-bit	RED Mini-Mag	65 W
RAVEN 4.5K (DSMC2) RED	23 × 10.8 25.41 mm diag	Canon EF	800	16.5 stops	4.5K (2.13:1)	300	REDCODE RAW, ProRes, DNxHR, DNxHD	16-bit	RED Mini-Mag	60 W
V-RAPTOR X 8K VV (DSMC3) RED	40.96 × 21.6 46.31 mm diag	Canon RF	800	17 stops	8K DCI	600	REDCODE RAW, ProRes	16-bit	CFexpress Type B	100 W
V-RAPTOR XE 8K VV (DSMC3) RED	40.96 × 21.6 46.31 mm diag	Canon RF	800	17 stops	8K DCI	300	REDCODE RAW, ProRes	16-bit	CFexpress Type B	100 W
V-RAPTOR XL 8K VV (DSMC3) RED	40.96 × 21.6 46.31 mm diag	Canon RF	800	17 stops	8K DCI	600	REDCODE RAW, ProRes	16-bit	CFexpress Type B	150 W
EPIC-W 8K S35 (DSMC2) RED	29.9 × 15.77 33.8 mm diag	Canon EF	800	16.5 stops	8K DCI	300	REDCODE RAW, ProRes, DNxHR, DNxHD	16-bit	RED Mini-Mag	85 W
MONSTRO 8K VV (DSMC2) RED	40.96 × 21.6 46.31 mm diag	Canon EF	800	17 stops	8K DCI	300	REDCODE RAW, ProRes, DNxHR, DNxHD	16-bit	RED Mini-Mag	95 W
GEMINI 5K S35 (DSMC2) RED	30.72 × 18 35.61 mm diag	Canon EF	800 / 3200	16.5 stops	5K (1.7:1)	300	REDCODE RAW, ProRes, DNxHR, DNxHD	16-bit	RED Mini-Mag	65 W
ALEXA 35 ARRI	27.99 × 19.22 33.95 mm diag	LPL	800	17 stops	4.6K (3:2)	120	ARRIRAW, ProRes	13-bit	Codex Compact Drive	90 W
ALEXA Mini LF ARRI	36.7 × 25.54 44.71 mm diag	LPL	800	14 stops	4.5K (3:2)	100	ARRIRAW, ProRes	13-bit	Codex Compact Drive	65 W
ALEXA LF ARRI	36.7 × 25.54 44.71 mm diag	LPL	800	14 stops	4.5K (3:2)	150	ARRIRAW, ProRes	13-bit	Codex Capture Drive, Sony SxS	120 W
ALEXA SXT W ARRI	28.25 × 18.17 33.59 mm diag	PL	800	14 stops	4K (1.55:1)	120	ARRIRAW, ProRes	13-bit	Codex Capture Drive, Sony SxS, CFast 2.0	120 W
AMIRA ARRI	26.4 × 14.85 30.29 mm diag	PL	800	14 stops	UHD	120	ARRIRAW, ProRes	13-bit	CFast 2.0	65 W
ALEXA Mini ARRI	28.25 × 18.17 33.59 mm diag	PL	800	14 stops	UHD	200	ARRIRAW, ProRes	13-bit	CFast 2.0	50 W
Venice Sony	36.2 × 24.1 43.49 mm diag	PL	500 / 2500	15 stops	6K (3:2)	120	Sony X-OCN, ProRes, H264 (AVC)	16-bit	Sony SxS, Sony AXSM	60 W
Venice 2 (8K) Sony	35.9 × 24 43.18 mm diag	PL	800 / 3200	16 stops	8.6K (3:2)	120	Sony X-OCN, ProRes, H264 (AVC)	16-bit	Sony AXSM	76 W
Venice 2 (6K) Sony	36.2 × 24.1 43.49 mm diag	PL	500 / 2500	15 stops	6K (3:2)	120	Sony X-OCN, ProRes, H264 (AVC)	16-bit	Sony AXSM	73 W
PXW-FX9 Sony	35.7 × 18.8 40.35 mm diag	Sony E	800 / 4000	15 stops	4K DCI	180	H264 (AVC), MPEG-2	10-bit	XQD	36 W
ILME-FX6 Sony	35.6 × 20.1 40.88 mm diag	Sony E	800 / 12800	15 stops	4K DCI	240	H264 (AVC)	10-bit	CFexpress Type A, SD UHS-II	18 W
ILME-FX3 Sony	35.6 × 23.8 42.82 mm diag	Sony E	800 / 12800	15 stops	4K DCI	200	H264 (AVC)	10-bit	CFexpress Type A, SD UHS-II	8 W
ILME-FX30 Sony	23.3 × 15.5 27.98 mm diag	Sony E	800 / 12800	14 stops	4K DCI	120	H264 (AVC), H265 (HEVC)	10-bit	CFexpress Type A, SD UHS-II	6 W
a7S III Sony	35.6 × 23.8 42.82 mm diag	Sony E	800 / 12800	15 stops	UHD	240	H264 (AVC), H265 (HEVC)	10-bit	CFexpress Type A, SD UHS-II	8 W
a7 IV Sony	35.9 × 23.9 43.13 mm diag	Sony E	800 / 3200	15 stops	UHD	120	H264 (AVC), H265 (HEVC)	10-bit	CFexpress Type A, SD UHS-II	8 W
a1 Sony	35.9 × 24 43.18 mm diag	Sony E	800 / 3200	15 stops	8K	240	H264 (AVC), H265 (HEVC)	10-bit	CFexpress Type A, SD UHS-II	9 W
Z9 Nikon	35.9 × 23.9 43.13 mm diag	Nikon Z	800	14 stops	8K	120	N-RAW, ProRes RAW, ProRes, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, XQD	14 W
Z8 Nikon	35.9 × 23.9 43.13 mm diag	Nikon Z	800	14 stops	8K	120	N-RAW, ProRes RAW, ProRes, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, XQD, SD UHS-II	11 W
Z6 III Nikon	35.9 × 23.9 43.13 mm diag	Nikon Z	800	14 stops	6K	240	N-RAW, ProRes RAW, ProRes, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, XQD, SD UHS-II	10 W
Z6 II Nikon	35.9 × 23.9 43.13 mm diag	Nikon Z	800	12 stops	UHD	120	H264 (AVC), H265 (HEVC)	8-bit	CFexpress Type B, XQD, SD UHS-II	8 W
EOS C400 Canon	36 × 19 40.71 mm diag	Canon RF	800 / 3200 / 12800	16 stops	6K DCI	180	Cinema RAW Light, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, SD UHS-II	35 W
EOS C70 Canon	26.2 × 13.8 29.61 mm diag	Canon RF	800	16 stops	4K DCI	180	Cinema RAW Light, H264 (AVC), H265 (HEVC)	12-bit	SD UHS-II	15 W
EOS C300 Mark III Canon	26.2 × 13.8 29.61 mm diag	Canon EF	800	16 stops	4K DCI	180	Cinema RAW Light, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, SD UHS-II	35 W
EOS C500 Mark II Canon	38.1 × 20.1 43.08 mm diag	Canon EF	800	16 stops	5.9K DCI	180	Cinema RAW Light, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, SD UHS-II	32 W
EOS R5 C Canon	36 × 19 40.71 mm diag	Canon RF	800 / 3200	16 stops	8K DCI	120	Cinema RAW Light, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, SD UHS-II	22 W
EOS R6 Mark II Canon	35.9 × 23.9 43.13 mm diag	Canon RF	800 / 3200	16 stops	UHD	180	H264 (AVC), H265 (HEVC)	10-bit	SD UHS-II	8 W
DC-S1H Panasonic	35.6 × 23.8 42.82 mm diag	L-mount	640 / 4000	14 stops	6K 3:2	180	H264 (AVC), H265 (HEVC)	10-bit	SD UHS-II	13 W
DC-GH7 Panasonic	17.3 × 13 21.64 mm diag	MFT	800 / 2000	13 stops	5.7K DCI	240	ProRes RAW, ProRes, H264 (AVC), H265 (HEVC)	12-bit	CFexpress Type B, SD UHS-II	10 W

About this database

What these specs mean in practice

Sensor Size & Crop Factor

The sensor dimensions (width × height in mm) determine the crop factor relative to a full-frame 36 × 24 mm reference. A Blackmagic Pocket 4K has an 18.96 × 10.00 mm sensor — about 2× crop. A larger sensor captures a wider field of view with the same lens and generally handles noise better at high ISO. Use the Crop Factor Simulator to visualise the difference.

Native ISO & Dynamic Range

Native ISO is the sensor's optimal gain setting — shooting at native ISO delivers the cleanest image with the most stops of dynamic range. Dual-native cameras (like the P4K at ISO 400 and 3200) switch to a different circuit at the higher value, preserving detail in extreme low-light without amplifying read noise. Dynamic range figures shown here are manufacturer-stated maximums in RAW mode.

Codecs: BRAW, ProRes, CinemaDNG

BRAW (Blackmagic RAW) is a sensor-level compressed RAW format that balances image quality with manageable file sizes. ProRes is Apple's widely-supported intermediate codec — easier on post pipelines but with less grading headroom than RAW. CinemaDNG is an open RAW format used by older Blackmagic cameras. Bit depth (12-bit here across all models) determines how many distinct tonal values are recorded per channel.

Lens Mounts

Mount compatibility determines which lenses you can use natively. MFT (Micro Four Thirds) opens up a large ecosystem of compact lenses. Canon EF is the broadest legacy mount with thousands of native and adapted options. L-mount (Leica/Sigma/Panasonic alliance) supports modern full-frame glass. PL (Positive Lock) is the industry standard for cinema-grade glass on professional productions.

How the Filmari App Uses This Data

All cameras in this table are indexed in the Filmari iOS app's gear database. When you create an inventory entry and start typing a model name, the app fuzzy-searches this dataset and offers matching suggestions. Selecting one pre-fills the sensor dimensions, mount, codecs, and other fields automatically — reducing manual entry and avoiding typos in spec-critical fields like sensor size that affect calculations in the rest of the app (depth of field, data rates, crop factor).

Not seeing your camera?

If a camera you own or regularly shoot with isn't listed, let me know. Approved suggestions get added to the Filmari database and become available as autocomplete entries when adding gear in the iOS app.

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